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  • Kenji Mizoguchi - Wikipedia
    During World War II, Mizoguchi made a series of films whose patriotic nature seemed to support the war effort The most famous of these is a retelling of the classic samurai tale The 47 Ronin (1941–42), an epic jidaigeki (historical drama)
  • Kenji Mizoguchi: 10 essential films | BFI
    Here’s a sample of 10 representative works, ranging from the undisputed masterpieces to the critically undervalued or neglected, which exemplify the development in Mizoguchi’s style and subject matter throughout this distinguished career
  • Kenji Mizoguchi - IMDb
    Kenji Mizoguchi Director: Ugetsu Coming from a lower class family Mizoguchi entered the production company Nikkatsu as an actor specialized in female roles Later he became an assistant director and made his first film in 1922
  • Mizoguchi Kenji | Silent films, Japanese cinema, Ugetsu - Britannica
    Mizoguchi Kenji (born May 16, 1898, Tokyo, Japan—died Aug 24, 1956, Kyōto) was a Japanese motion-picture director whose pictorially beautiful films dealt with the nature of reality, the conflict between modern and traditional values, and the redeeming quality of a woman’s love
  • 10 Best Kenji Mizoguchi Films: A Celebration of the Japanese Masters Work
    Mizoguchi’s films are characterized by his deep understanding of human nature, complex characters, and intricate narratives that often explore the struggles and hardships faced by women in Japanese society
  • cineCollage :: Kenji Mizoguchi
    Mizoguchi falls within the strong tradition of "feminists" in Japanese film, literature and drama However, this English loan word has nuances in Japan that differ considerably from its western usage
  • Mizoguchi Kenji - Japanese Wiki Corpus
    Kenji MIZOGUCHI (May 16, 1898 - August 24, 1956) was a film director born in Tokyo He mostly produced emotional films, featuring female characters He is one of the greatest filmmakers of Japanese cinema, ranked with Akira KUROSAWA, Yasujiro OZU, and Mikio NARUSE
  • Mizoguchi Kenji: The overlooked master of Japanese cinema’s golden age
    Above all, Mizoguchi was one of cinema’s most elegant practitioners of the long take Yet the aesthetic beauty of Mizoguchi’s films never overwhelms their human content Serenely moving, his art also burns with anger at injustice and sorrow for human suffering
  • KENJI MIZOGUCHI (1898-1956) - Pangborn on Film
    Kenji Mizoguchi’s sublime cinema of doomed lovers and self-martyring women often mirrored his tortured soul and tumultuous life His artistic beginnings and romantic exploits read like something out of a trashy pulp novel
  • Kenji Mizoguchi biography. Director
    In 1936, Mizoguchi released two critically acclaimed masterpieces: "Elegy of Naniwa" and "The Sisters of Gion," both starring Isuzu Yamada and Yoko Umemura These films poignantly depicted the harsh fate of prostitutes and the oppressive weight of public opinion





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